Archive

Publications

For now, this is a complete list. I will continue to add links as I scan them.

PhD Dissertation

‘Guillaume de Machaut and the mise en page of medieval French sung verse’, University of Glasgow, 2009 (also available online at theses.gla.ac.uk). If you would like a copy with the images included, please contact me.

 

Edited Journal Volume

Performance and the Page (Pecia: Le livre et l’écrit 16 (2013)) A volume of articles co-edited with James R. Simpson and Peter V. Davies.

 

Work currently under review/in press

‘The Medieval (Music) Book: A Multimodal Cognitive Artefact’, in A History of Distributed Cognition, Volume 2: Medieval and Early Modern, ed. Miranda Anderson (Edinburgh: Edinburgh University Press)

‘Multimodality and Memory in the Mise en page of Guillaume de Machaut’s Mass’, in Katherine W. Jager, ed., Vernacular Aesthetics: Politics, Performativity, and Reception in the Later Middle Ages (London: Palgrave)

‘A Multimodal Reading of fr. 1586’, in Domenic Leo, ed., An Illuminated Manuscript of the Collected Works of Guillaume de Machaut (BN MS fr. 1586): A Vocabulary for Exegesis (Turnhout: Brepols)

 

Research Articles

‘Beck’s Song Reader: An Unbound Music Book’ in Mémoires du livre / Studies in Book Culture 8:1 (2016), http://www.erudit.org/revue/memoires/2016/v8/n1/1038035ar.html?lang=en

When Here is Now and Now is Then: Bridging the Gap in Time with “Sumer is icumen in” in Building Bridges for Multimodal Research: International Perspectives on Theories and Practices of Multimodal Analysis, ed. Janina Wildfeuer (Bern: Peter Lang, 2015), 259–268

‘An Analysis of ‘Mode’ in Guillaume de Machaut’s Lay mortel (‘Un mortel lay’, Lay 12)’, in LYDSPOR. Når musikk møter tekst og bilder [SOUNDTRACKS: When Music Meets Text and Images], ed. Bjarne Markussen (Kristiansand: Portal forlag, 2015), 273–293

‘Page, Performance and Play in Medieval Transmission and Reinterpretation: Presence and Absence in the Oxford Roland and Guillaume de Machaut’s Voir dit, co-authored with James R. Simpson. In Jacob Dekert and Peder Kaj Pedersen (eds). Proceedings of the 16th Nordic Musicological Congress, Stockholm, 2012 (Stockholm: Institutionen för musik- och teatervetenskap, Stockholms Universitet, 2014), 144–153

‘Performance and the Page’, co-authored with James R. Simpson and Peter V. Davies, in Pecia: Le livre et l’écrit 16 (2013), special issue Performance and the Page, ed. Kate Maxwell, James R. Simpson and Peter V. Davies, 7–15 (DOI: http://dx.doi.org/10.1484/J.PECIA.5.105409)

‘Multimodality and medieval music’, Tag Journal, December 2013 (tagjournal.com/kate-maxwell). Now no longer available; click title for jpeg

‘The Order of Lays in the “Odd” Machaut Manuscript E in Manuscripts and Printed Books in Europe 1350-1550: Packaging, Presentation and Consumption, ed. Emma Cayley and Sarah Powell (Liverpool: Liverpool University Press, 2013), pp. 32-47

‘ “Quant j’eus tout recordé par ordre” Memory and Performance on Display in the Manuscripts of Guillaume de Machaut’s Voir Dit and Remede de Fortune’ in Memory and Commemoration in Medieval Culture ed. Elma Brenner, Meredith Cohen, and Mary Franklin-Brown (Farnham: Ashgate, 2013), pp. 181-193

‘Performing Notation, Notation Performing’ annotated graphic composition in Notations 21, ed. Theresa Tisano (New York: Mark Batty, 2009)

‘Guillaume de Machaut’ in The Literary Encyclopedia (2007)

‘Les Politiques linguistiques au Royaume-Uni’ / ‘The Linguistic Policies of the United Kingdom’ in Nouvelle Europe, May 2007: http://www.nouvelle-europe.eu/

‘The Difficulty of Meaning, the Dilemma of Labelling: Guillaume de Machaut (c.1300-1377), a Romantic Poet-Composer?’ Essays in French Studies 2, September 2006 (ISSN 1749-3307): http://www.extra.rdg.ac.uk/2001group

Authoring the Author: Innovation and Enigma in B. N. fr. 146 the Livre de FauvelESharp Journal ‘Trailblazing’, Spring 2004 (ISSN 1742-4542): http://www.gla.ac.uk/research/az/esharp/

‘Review of the GSAH “Trailblazing” Conference – October 2003’ ESharp Journal ‘Trailblazing’, Spring 2004 (ISSN 1742-4542): http://www.gla.ac.uk/research/az/esharp/

 

Book Reviews

Review of D. McGrady and J. Bain, eds, A Companion to Guillaume de Machaut   for The Medieval Review (September 2013)

Review of E.E. Leach, Guillaume de Machaut: Secretary, Poet, Musician in Fontes Artis Musicae 60:1 (2013), pp. 28-29

Review of R. J. Knecht, The Valois in The Sixteenth Century Journal 39.3 (2008)

 

Invited Presentations

‘The Medieval Manuscript: A Multimodal Performance’, Bremen Masterclasses in Multimodality, Universität Bremen, 22 April 2015

‘Performance and the Page’, The Multimodality of Opera: The Constitution, Development and Performance of Early Modern Opera, Tarquinia, 4-8 May 2014

‘The Curious Case of “Malgre Fortune”: A Case Study in Multimodality’, Machaut in the Book, University of Virginia, 11-12 April 2013

‘Popular Culture in History: A Look at the Middle Ages’ International Institute for Popular Culture, University of Turku, 9 February 2010: http://iipc.utu.fi/debates.html

 

Other Presentations

‘Transmediating Verdi Transmediating Shakespeare: Performing Theory in Macbeth, co-author Carlo Allemano, Transmediations!, Växjö, 13–15 October 2016

‘Beyond Sound, Image, and Text: the (More) Hidden Modes of the Manuscript’, New Chaucer Society, London, 10–15 July 2016

‘Music as Spiritual Nourishment (or not) at the Periphery of Page and Sound’, International Medieval Congress, Leeds, 4–7 July 2016

‘Music Notation as a Multimodal Artefact’, International Musicological Society, Stavanger, 1-6 July 2016

‘Music Notation as a ‘Gatekeeper’ to Participation’, DiscourseNet Congress, University of Bremen, 24-26 September 2015

Multimodality and the Benefits and Limits of Cross-Disciplinary ‘Evangelism’, Second Bremen Conference on Multimodality, 21-22 September 2015

‘Research in the Middle: Multimodally Broadcasting and Analysing Climate-Change Research in a Norwegian Context’, International Pragmatics Research Association Conference, University of Antwerp, 26-31 July 2015. Co-authored with Paul Benneworth and Anders Gravir Imenes

‘Research in the Middle: Multimodally Broadcasting and Analysing Climate-Change Research in a Norwegian Context’, Multimodality and Cultural Change, University of Agder, 10-12 June 2015. Co-authored with Paul Benneworth and Anders Gravir Imenes

‘The Posthuman (Music) Manuscript’, Approaching Posthumanism and the Posthuman Conference, University of Geneva, 4-6 June 2015

‘Discourses of Authorship in the “Imaginary Museum” of Culture’, DiscourseNet 15, University Library ‘Svetozar Markovic’, Belgrade, 19–21 March 2015

‘Hide and Flesh and Feeling: A Multimodal Approach to Embodiment in the Medieval Manuscript’, MODE Conference: Multimodality – Methodological Explorations, UCL Institute of Education, 15-16 January 2015

‘The Colour of Snowflakes: A Presentation, an Invitation, an Installation’, Arctic Modernities, Tromsø, 16-18 September 2014

‘When Here is Now and There is Then: Bridging the Gap in Time’, Bridging the Gap between Here and There: Combining Multimodal Analysis from International Perspectives, Bremen, 10-13 September 2014

‘An Analysis of “Mode” in Guillaume de Machaut’s Lay mortel (“Un mortel lay”)’, International Medieval Congress, Leeds, 7-10 July 2014

‘Multimodality and Medieval Music in Sound and Manuscript’, Royal Musicological Association Medieval and Renaissance Music Conference, Birmingham, 3-6 July 2014

‘A Multimodal Analysis of Machaut’s Lay mortel (lay 12, “Un mortel lay”)’, Musikforskning i dag, Linnéuniversitet, Växjö, 11-13 June 2014

‘Multimodality and the Medieval Manuscript’, Encompassing the Multimodality of Knowledge: The 5th International 360° Conference, Aarhus, 8-10 May 2014

‘Le sujet digital dans les lais de Guillaume de Machaut’, Le Sujet digital: in-scription, ex-scription, télé-scription, Université de Paris-8, 18-21 November 2013

‘Guillaume de Machaut and the Concept of Multimodality’, Musikforskning i dag, Kungliga Musikhögskolan, Stockholm, 12-14 June 2013

‘Guillaume de Machaut and Multimodality’, Multikul Årsseminar, Metochi, 18-25 May 2013

‘Guillaume de Machaut and the Concept of Multimodality’, Guillaume de Machaut: Music, Image, Text in the Middle Ages, University of Exeter, 29-30 April 2013

‘Memory, memorial, mise en page: an examination of the manuscript presentations of Guillaume de Machaut’s mass’ Dies Medievales, Turku, 26-27 October 2012

‘Page, Performance and Play: Presence and Absence in Medieval Lyric Transmission and Reinterpretation’ XVIth Nordic Musicological Congress, Stockholm, 7-10 August 2012 (co-authored with James Simpson)

‘Page, Performance and Play: Presence and Absence in Medieval Lyric Transmission and Reinterpretation’ Medieval Song Network II, London, 12-14 September 2011 (with James Simpson)

‘Memory, memorial, mise en page: an examination of the manuscript presentations of Guillaume de Machaut’s mass International Medieval Congress, Kalamazoo, 12-15 May 2011

 ‘ “Grammatology” as a means of understanding early music notation: a look at the Chanson de Roland and the Voir Dit International Medieval Congress, Leeds, 11-14 July 2010

‘ “Grammatology” as a means of understanding early music notation: a look at the Chanson de Roland and the Voir Dit Royal Musicological Association, Medieval and Renaissance Music Conference, Royal Holloway, 5-8 July 2010

Uneasy Bedfellows? Medieval Notation, Graphic Notation, and Jacques Derrida’ Svenska Samfundet för Musikforskning, Lund, 8-10 June 2010

Uneasy Bedfellows? Medieval Notation, Graphic Notation, and Jacques Derrida’, Off the Staves, Bangor, 26-27 March 2010

 ‘Understanding the Manuscript Transmissions of Machaut’s Mass’ Royal Musicological Association Medieval and Renaissance Conference, Utrecht, 1-4 July 2009

‘Considering the Order of the Lays in the “odd” Machaut Manuscript E’ Early Book Society, Exeter, 9-12 July 2009

‘Notations 21: A 21st-century manuscript?’ Nothing New? Understanding Newness in Medieval and Contemporary Music, University of Huddersfield, 25-26 April 2009

‘ “Je ne me puis taire … Pren du papier, je veuil escrire”: Composition, Memory and Performance on Display in the Manuscripts of Guillaume de Machaut’s Voir Dit Royal Musicological Association, Medieval and Renaissance Conference, Vienna, 8-11 August 2007

‘Vital Transcriptions: performance and memory in the visual presentation of the music in Guillaume de Machaut’s Remede de Fortune International Medieval Congress, Leeds, 9-12 July 2007

‘ “Quant j’eus tout recordé par ordre”: Memory and Performance on Display in the Manuscripts of Guillaume de Machaut’s Voir Dit and Remede de Fortune International Medieval Congress, Paris, 27-29 June 2007

‘Vital Transcriptions: the visual presentation of the music in Guillaume de Machaut’s Remede de Fortune International Medieval Congress, Kalamazoo, May 10-13 2007

‘Les Sources manuscrites du Remede de Fortune de Guillaume de Machaut’ Université de Paris IV-Sorbonne, 2007 (seminar for Isabelle Ragnard, musicology)

‘ Quant j’eus tout recordé par ordre”: la mémoire dans les manuscrits du Remede de Fortune et du Voir Dit de Guillaume de Machaut’ Université de Paris IV-Sorbonne, 2007 (seminar for Jacqueline Cerquiglini-Toulet, French litterature)

‘ “Quant jeus tout recorde par ordre”: the visual presentation of the music in Guillaume de Machaut’s Remede de Fortune Annual Conference of the Royal Musical Association, University of Nottingham, 11-14 July 2006

‘Guillaume de Machaut: Identity and Performance’ (Poster) Society for French Studies Conference, University of St Andrews, 3-5 July 2006

‘To Reconstruct or not to Reconstruct? Guillaume de Machaut and the Dilemma of Re-Creation’ Oxford French Graduate Conference: Reconstruction, Maison française d’Oxford, 2 June 2006

‘The Difficulty of Meaning, the Dilemma of Labelling: Guillaume de Machaut (c.1300-1377), a Romantic Poet-Composer?’ 2001-Group Study Day: Difficulty and Dilemma, University of Reading, 28 April 2006

‘Guillaume de Machaut: Identity and Performance’ Royal Musicological Association Research Students’ Conference, University of Leeds, 4-7 January 2006

 ‘Seriously Sharp Students: An Online Postgraduate Journal for the Arts, Humanities and Social Sciences’ (poster) Digital Resources in the Humanities, University of Newcastle, 5-8 September 2004

‘Authorship and Enigma in Fauvel Royal Musicological Association Medieval and Renaissance Conference, University of Glasgow, 15-18 July 2004

‘Authoring the Author: Innovation and Enigma in Bibliothèque Nationale MS fr.146 the Livre de Fauvel Royal Musicological Association Research Students’ Conference, Royal Holloway, University of London, 7-10 January 2004

‘Authoring the Author: Innovation and Enigma in Bibliothèque Nationale MS fr.146 the Livre de FauvelESharp ‘Trailblazing’ Conference, University of Glasgow, October 2003

‘ “Le Livre est mort. Vive le livre!” Scribal Power on Display in the Livre de Fauvel Late Antique and Medieval Postgraduate Society, University of Edinburgh, June 2003

‘Sight and Sound in Medieval Music’ Centre for Medieval and Renaissance Studies postgraduate seminar series, University of Glasgow, 2003

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